Some of the mattes, yes. They *look* like they were composited with green screen shots in some digital compositing sw, to the same end: gorgeous, turgid, galumphing, overwrought (etc), and ultimately meaningless eye candy. Many directors have fallen under its spell. The only one I've seen that made it work in the context of adding value to the film as something other than a tediously long fx reel, was Peter Greenaway's Prosperos Books which, TBF also has fuckloads of nudity going for it.